According to Core Contents Media, 'Treasure Box' grabbed the #1 spot on the Oricon Daily Chart within a day since its release on the 7th. The album contains a total of 13 tracks including "Bunny Style", their subunits' songs, and more.
Upon hearing the good news, the T-ara members shared, "With the good news that we achieved #1 on the Oricon Chart, we are even more joyful to perform at our upcoming concert in Hong Kong and we will continue to work even harder."
Congrats to T-ara! Fans in Hong Kong can celebrate with the girls during their concert on the 9th!
A couple of weeks back, a preview clip of f(x) dancing to "Cash Me Out" by Zara Larsson was released, leading many to believe that SM Entertainment had yet again bought a song from a musician in the West. However, as the original 'Go f(x)!' clips featuring "Cash Me Out" were taken down and the song didn't make an appearance on the album, many were surprised to hear something completely different.
"Rum Pum Pum Pum" (Dsign Music) has the perfect balance of weird and radio-friendly that we want from f(x). The song makes a clever metaphor comparing a first love to a first wisdom tooth that pushes all the other teeth aside and leaves a permanent hole when removed. It's pretty cool and weird hearing the girls singing from the perspective of the wisdom tooth as well. Rather than maintaining a constant drum line through the song, the percussion changes constantly throughout- from marching-band drums to a more typical drum kit loop, to stomps and claps, to some kind of hand drum. It's the muted guitar line that holds the song together and keeps an underlying tone of building tension throughout the song, punctuated with occasional subtle, breathy gasps.
At around 0:45 seconds, the girls begin singing a vocal round, one of the first (if not the first) instances of a round in a K-Pop song. The song makes use of a mix of two- and three-part harmonies alongside segments sung entirely in unison, as well as layered parts, all of which blend seamlessly into a song that's difficult to categorize as one thing or another. The song doesn't scatter quite as widely as "I Got a Boy" and isn't as theatrical as EXO's "Wolf" (both of which also come from Dsign)- both of those songs were created with a certain amount of "shock factor" in mind. "Rum Pum Pum Pum" isn't shocking, but rather gives f(x) a strange new sound that it's doubtful any other current K-Pop groups could pull off.
"Shadow" (Rob Fusar, Cathy Dennis, Sophie Ellis-Bextor), the song from f(x)'s art film teaser, is a creepy song about a girl stalking someone and calling it a "date", warning the person "Don't be scared, we're a fate tied by the sun, it's our destiny to be together." This is all tied together with eerily cute xylophones and distorted, cartoonish singing the the background. The calm vocal delivery over a sanitary disco instrumental only further's the track's sinister tones, ultimately giving us one of K-Pop's most unexpectedly frightening songs. "Pretty Girl" (Misfit, Hyuk Shin) continues the creepiness, with f(x) chanting and wailing about pretty girls with boring, similar faces, claiming "On a dark night I cast a spell, my green-light spell makes everyone have the same face," and questions the pretty girl "Did you think it'd last forever? You were always the main character, but now it's different." EXO's "Baby Don't Cry" was an homage to Hans Christian's Anderson's "The Little Mermaid"- perhaps "Pretty Girl" is f(x)'s tribute to Wicked. While "Pretty Girl" is weightier than "Shadow", it also uses childish xylophones to really hammer home the ominous tone.
Retro, doo-woppy "No More" (The Grace's Dana and several of SM's in-house producers) borrows the xylophones from "Pretty Girl" and "Shadow" to add a sugary coating to f(x)'s sharp words as they call out a gijibe who changes her whole personality to fit with whomever she's dating at the time, and who only cares about her friends when she's single. "Snapshot" also takes the retro route with vaudeville inspiration. It also uses a similar sarcastic tone, this time taking aim at the paparazzi and the public's demand for perfection from stars, even in candid shots.
"Kick" (Kim Bu Min, Hitchhiker) is an abstract ode to skateboarding, featuring a bizarre electronic samba beat spliced together with bursts of chiptune, a heavy dose of talk-rapping, punctuated with unexpectedly spacey prechoruses and an organized synth malfunction of a breakdown. "Toy" (Dsign music) has a similar samba beat, but with a more conventional instrumental and frantic feel- at least, until the dubstep break. Regular readers of my reviews will know how little patience I have left for the K-Pop dubstep break, but this is once case where it's actually done in an interesting way. The breaks are established earlier in the song- such as the abrupt cut to Amber's "I'm transformin' now" line- and the weird, glitchy dubstep is run under a string line that keeps things from getting boring.
"Goodbye Summer" is one of the most fan-anticipated songs of the album, as it was written and composed by f(x)'s Amber and Gen Neo of Henry's production team, Noize Bank. This song is just the Amber/Luna/Krystal subunit that brought us 'Electric Shock''s "Beautiful Stranger", and is a very simple, acoustic love song showcasing a lot of very pretty harmonies between Luna and guest vocalist D.O of EXO-K. "Signal" (Kenzie) is another song with a more conventional sound, going with a straightforward disco vibe. Both songs serve as nice palette cleansers between the more complicated songs on the album. "Ending Page" (Hong Ji Yoo, Fingazz, Glen Choi, Brodie Stewart) closes the album with a straightforward pop-rock ballad about the loneliness and doubt felt in the wake of a breakup.
Airplane (Misfit, Tim McEwan, Julia Fabin, Martin Mulholland) is a jewel nestled in the middle of the album. It's somewhat reminicent of SM the Performance's cover ofZedd's "Spectrum" in parts, borrowing inspiration from "Spectrum"'s open, spacey instrumental and the upward slide into the drop. However, "Airplane" is far brighter and more melodic, achieving a level of heart and humanity that "Spectrum" didn't. This is probably the best Sulli's ever sounded, as her verses perfectly suit her high, sweet voice. This song takes advantage of the wide range f(x) has, from Sulli and Krystal's high notes to Amber's much lower voice- something we don't hear often from girl groups in K-Pop.
f(x) is a group that dares to be the pistachio flavored ice cream in a freezer full of chocolate, vanilla, and strawberry. They're weird, they're not for everyone, but they're not trying to be for everyone. People who like 'Pink Tape' are the people who are hungry for something new and different in the sea of been-there-done-that that K-Pop can start to feel like after a while. f(x) has enough of a foot in the mainstream to merit bringing big-name songwriters and producers into the mix, but they're just off-the-wall enough to earn themselves as much hipster credibility as an idol group can have. It's taken some work to find the exact mix that works for f(x), but all that work is paying off, as 'Pink Tape' is easily one of the best idol albums released so far this year.
Combining the two chapters of its third album, SHINee is back with its new repackaged album ‘The Misconceptions of Us’.
Released on August 8, the album contains songs from the first two chapters as well as two new songs, “Selene 6.23” and “Better Off”. New song “Selene 6.23” is a ballad song with orchestra and piano sound. It talks about a crush and describes one sided love. Follow up single “Better Off” is a pop ballad which talks about sadness of breakup.
The songs’ lyrics are known to be written by SHINee’s member Jonghyun.
Ahead of the release of their repackaged album ‘The Misconceptions of Us’, SHINee unveiled a short preview for one of two new songs, titled, “Selene 6.23”.
On August 8, SHINee will release a combined repackaged album, ‘Chapter 3 – The Misconceptions of Us’, which is a compilation of its third album’s two chapters ‘The Misconceptions of You’ and ‘The Misconceptions of Me’.
New song “Selene 6.23” is a ballad song with orchestra and piano sound. The song talks about a crush and describes one sided love. The song’s lyrics are known to be written by SHINee’s member Jonghyun.
Super Junior’s Choi Siwon appeared as a mystery guest on SBS TV talk show ‘Thank You’ to be aired on August 9th, and talked about his friendship and first encounter with BoA.
Siwon, who is known to be on very close terms with BoA, suprised the singer and other production staffs by showing up with handful of gifts to the recording.
During the recording, the Super Junior member revealed how he became friends with BoA, “I will never forget the day that I met BoA for the first time. I felt really nervous by her presence at that moment,” and BoA responded, “I don’t remember a thing from that day.”
Siwon continued, “Now, we are so close that I volunteered myself to be her manager. Sometimes I even call her ‘Goddess BoA’ instead of just calling her name.”
